Kitsch me if you can

imageimageWhen Dave and i went fishing we were after tailor. In a fishermans shack i found a box of art books  .I was learning .”art” at high school or zqqzso i thought .As it turned out,I was being propagandised  to accept modern art. My box of art books didnt. These guys could  paint and draw! when i mentioned Alma  Tadema and Lord Leighton ,Solomon , Millais :you would think i had consorted with the devil..Not so,it was a casual encounter at the beach,
I did not realize it would take a lifetime to  decipher what had happened to me,to undo the conflict in me.

On one hand, Modernism  On the other, Academism.  Presented as a clear cut choice,one or the other.    It rapidly became a matter of trying to reconcile opposites. After years of study i know that dichotomy was and is false.

Brian E Deagon

Being young i couldnt see the trap that had been sprung. Study of art came equal to teaching it.but in retrospect,our teachers at college were mediocre artists, and left us to our own devices.  So long as Cezanne got a nod so did your career. There was no academic drawing class.

Bourgeous Realism is an unfortunate descriptor. Because it needs to cover many styles of realism. It also fails to see that these  realistic styles( including Surrealism were adapted at  need,modified  to suit a particular  narrative. Style was not an outcome but an expressive device.

Henceforth  it was a matter of conscious choice of styles,not merely mastery  of one.

if we ever realised there was a problem,we had to solve it. My nose had detected something rotten in .modern art,and noteably the art market.which looked like an army of gender challenged shop assistants. image

somehow i persisted,finding my.own way down the Pollock road. Till one night i saw clearly, “Brian,you cant draw”    An_Audience_at_Agrippas

at that, Alma Tadema and Lord Leighton came to my recue.